Ink Mountain · 水墨远山

A shui-mo landscape reduced to almost nothing: layered mountain silhouettes in graded washes of ink, a paper sky with real texture in it, and one seal-red mark — #c03d2e — placed the way a painter signs a scroll. The restraint is the picture. Most of the canvas is negative space in the literal, classical sense, which happens to be exactly what you want behind a window full of text.

It suits the quiet parts of the work: reading a plan, writing a spec, thinking a design through before letting the agent run. Light themes with gray or paper bases sink into it naturally — Paper Terminal is the obvious neighbor, Solarized Light the scholarly one — and it belongs to daylight hours in a calm room. If your desk has a morning-tea mode, this is its background.