New themes for Codex & Claude Code

Our house dark — charcoal with a live ember, tuned for 8-hour agent runs.

Bioluminescent mint on forest black — a greenhouse for night coders.

Ink on warm paper — a light theme that reads like a well-set book.

The soothing pastel classic — mauve accents on a warm midnight base.

The undead legend — purple, pink and green that glow after midnight.

Shinjuku at 2am — indigo streets, neon signs, rain on the window.

Arctic calm — frost blues over polar-night grays, zero visual noise.

Retro groove — baked earth tones with that unmistakable amber punch.

The editor default that outlived its editor — balanced, unfussy, correct.

Daylight Catppuccin — soft pastels that stay readable on a bright desk.

Gruvbox in daylight — cream paper, ink that still has groove.

The colors your diffs already dream in — Primer, after dark.

All natural pine, faux fur and a bit of soho vibes for the classy minimalist.

The lab-measured original — sixteen colors, one CIELAB obsession.

The palette that taught a generation what code should look like.

Hokusai's wave in a terminal — sumi ink, crystal blue, carmine accents.

A cabin in the pines — green-based, low contrast, easy on tired eyes.

Built for late shifts and low light — deep ocean blue, honest contrast.

Near-black with a single gold cursor — the espresso shot of dark themes.

Pull-request white — the most battle-tested light palette on the internet.

Warm parchment, cool science — the light mode that started light modes.

Rosé Pine at sunrise — the same softness, poured over morning paper.