Gruvbox in daylight — cream paper, ink that still has groove.
Gruvbox Dark — Claude Code theme
dark✓ token theme · safeRetro groove — baked earth tones with that unmistakable amber punch.
palette by Pavel Pertsev (morhetz) · MIT · upstream source ↗
Color tokens
Background
#282828
Panel / sidebar
#3c3836
Code background
#1d2021
Border
#504945
Text
#ebdbb2
Muted text
#928374
Accent
#fe8019
Strings / added
#b8bb26
Keywords
#fb4934
Functions
#fabd2f
Comments
#928374
Errors / removed
#cc241d
Warnings
#d79921
Notes on this palette
Gruvbox began as a Vim colorscheme by Pavel Pertsev, better known as morhetz, who described the goal as 'retro groove' — earthy tones with the saturation of a seventies print ad rather than an LED. That intent survives every port: the background is a warm #282828 brown-gray, the text a cream #ebdbb2, and the accents land in brick red, mustard and olive instead of the usual laser blue and magenta.
It photographs badly and works wonderfully. In an agent session the warmth does something subtle: added lines in a diff come through as olive-green, removals as brick red, and neither carries the alarm-bell charge that high-saturation palettes give them, so reviewing a big proposed change feels less tense than it probably should. The amber accent stays loud enough that your cursor and your own prompts surface at a glance.
Upstream Gruvbox ships hard, medium and soft contrast levels; this port sits at the standard medium, the one most people mean when they say Gruvbox. It suits warm lamplight and evening rooms better than cold office fluorescents, where the browns can turn a little muddy — that mismatch, not eye strain, is usually the cue to flip over to Gruvbox Light until the sun goes down.
Similar looks
The undead legend — purple, pink and green that glow after midnight.
The editor default that outlived its editor — balanced, unfussy, correct.
The lab-measured original — sixteen colors, one CIELAB obsession.